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The Arts Can Teach Us to Lead, Part 4: Fiction as Great Teacher

What are you reading this summer? The question is important for your leadership development. I suggest fiction. It’s a powerful and enjoyable pedagogy.

When we read fiction, author Annie Dillard reminds us, we slow life down: study it and our reactions to it.

Good fiction lets us view events from multiple perspectives – our own, the writer’s, and the various characters in the story – increasing our understanding of human diversity; the impact of time, culture, and experience; and the frames of reference we use to make sense of all that.

It offers a behind-the-scenes look into the complexities of organizational life. In today’s world, educators and authors do a disservice when they convey the illusion of simplicity or control with models and theories that portray the workplace as linear, rational, neat, and tidy. Human nature is complicated, and social processes like leadership and management are steeped in ambiguity, confusion, and choice. Good literature acknowledges that and plays out human nature in its fullness.

Internal struggles, confusion, ambiguity, and doubts of the soul are all par for the course. Leadership looks more like the gritty and human process that it is – and less glamorous and heroic – when seen through the difficult choices of compelling characters.

The health sciences have known this for a long time. They have a strong tradition of encouraging the use of literature – the reading and writing of it – for growth: the medical humanities are a well-established curricular tradition in medical education. Leadership education could borrow a page from their play book.

Harvard Professor of Medical Humanities and Psychiatry emeritus Robert Coles sees it like this: fiction and storytelling deepen the inner life of those who work at life’s harsh boundaries, offering insights into the role of learning and growth from disappointment and suffering, providing historical perspectives on the meaning of care and service, and more.

Reading fiction nurtures skills in observation, analysis, diagnosis, empathy, and self-reflection – capacities essential for good healthcare givers and for good leaders in any field.

Where to start? Anything that appeals to you – contemporary or classic. It’s the process of reflecting on the story, its characters, their struggles, and your reactions that matter.

Dip a toe in the water with business ethicist Joseph Badaracco’s Questions of Character: Illuminating the Heart of Leadership Through Literature. The book uses nine pieces of literature to examine challenges that test a leader’s soul. Read and think about a suggested work, and then use Badaracco’s chapter on it to stretch your own thinking.  The book offers its own self-study course, modeled on Badaracco’s long-term Harvard Business School course.

Or do something similar using On Leadership that captures lectures by organizational theorist James G. March  from his famous Stanford course on learning about leadership through the classics using works like Shakespeare’s Othello, Shaw’s Saint Joan, Tolstoy’s War and Peace, and Cervantes’s Don Quixote.

“Literature is an extension of life not only horizontally, bringing the reader into contact with events or locations or persons or problems he or she has not otherwise met,” reminds philosopher Martha Nussbaum, “but also vertically, giving the reader experience that is deeper, sharper, and more precise than much of what takes place in life.”[1] 


[1] Nussbaum, M. (1990). Love’s Knowledge: Essays on Philosophy and Literature. New York: Oxford University Press, p. 48.

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The Arts Can Teach Us to Lead, Part 1: Embracing Diversity Brings Innovation — The Compelling Case of Sissoko and Segal

I am a firm believer that we can learn much about how to lead from engaging with and in the arts. This post begins a series on the topic.

It’s a set of ideas I’ve been thinking and writing about for a long time. Quite simply, the arts “traffic in understanding,” in the words of Pulitzer Prize-winning author Annie Dillard – and understanding one’s internal and external worlds is at the heart of leadership effectiveness. 

The major challenges in leading – understanding and working with those who are different from us, forging shared interests and common goals, motivating, influencing while remaining open to new learning, understanding the roots of competing interests and conflicts, finding lasting solutions to complex problems – echo life’s larger challenges.

The arts lay out these grand dilemmas in accessible form and invite us to reflect on and learn from them. I’ve been reminded of this by some recent events.

The first was a Ford Foundation conference held May 4, 2011 called "Fresh Angle on the Arts: Reimagining Culture in a Time of Transformation" – a day of discussions and performances exploring the role of art and artistic expression in times of social transformation and revolutionary global change.

Different cultures, ethnicities, and social traditions can separate us. But understanding our own history and heritage and then broadening our perspectives on other cultures through education and collaboration can take us to rich, new heights and toward common ground despite our differences.

Listen to excerpts from the CD called “Chamber Music” as performed by Ballaké Sissoko (an African musician playing a traditional lute-harp from Mali called the kora) and Vincent Segal (a French musician playing the classical cello) at the Ford Foundation conference.

Through the music of Sissoko and Segal, you’ll hear and experience quite simply and enjoyably exactly what I’m talking about – and chances are you’ll understand the importance of leading through and with diversity in today’s global world faster and deeper than you might from a lecture, essay, or class on the topic. 

“Chamber Music” has been reviewed as “one of Europe’s most buzzed-about world music recording.” It is also a clear and powerful illustration of fusion without loss, synergy without dominance, differences as the springboard to innovation, shared leadership through true collaboration, and globalization without fear.